The dark side never felt so sweet
With the new paint job, the new knob caps, and the black ionized parts, this limited edition synth has a commanding presence in any space.
It offers a 100% analog audio signal with true analog effects, perfect for those who like ultimate control over their sound. Meet your future sound head-on with three Brute oscillators, a Steiner-Parker filter and a ladder filter, and the unstoppable modulation matrix.
With its sleek design and powerful build, this machine is both the beauty and the beast.
The thrill of sonic crafting
At the heart of this instrument, the modular synth setup is combined with a matrix, allowing you to carve your own sonic path in exquisite, intricate, complex detail. Dare to enter the world of rich, warm, responsive analog synthesis - your vision deserves to come out of the shadows. Explore unborn soundscapes with 64 additional presets; whether you want to cry out or whisper with your sound, MatrixBrute Noir can satisfy any musical cravings you might have.
Stage-ready design
With instant preset recall, true invention in a live setting awaits at your fingertips. Choose from an expanded sonic palette of 256 presets in total, and let the ride begin. Combined with an impressive arpeggiator and sequencer, you can evolve your melodies and textures with power and deep originality. On stage, the MatrixBrute Noir is deadly, elegant, and fierce - what more is there to want?
Arturia MatrixBrute Noir: Analog Monophonic Synthesizer
Features
- Analog Matrix Synthesizer
- 256 Preset memory locations
- 2 Analog Exponential VCO’s:
- Saw + UltraSaw, Square +Pulse width, Triangle + Metalizer, Sub
- 1 Analog Linear VCO/LFO
- Saw, Square, Triangle, Sine waveforms; LFO time divisions; Key track
- VCO 2>1 Hard Sync
- Audio Mod:
- VCO1>2 ; VCO1 < VCO3> VCO2 ; VCF 1 < VCO3> VCF 2 ; VCF1 < Noise> VCF2
- Noise Generator:
- White ; Pink ; Red ; Blue noise types
- 5 input Audio Mixer with Filter routing
- Steiner Parker filter with 12+24 db per octave modes ; Drive ; Brute factor; Low Pass, High Pass, Band Pass, Notch
- Ladder filter with 12+24 db per octave modes ; Drive ; Brute factor; Low Pass, High Pass, Band Pass
- 2 LFO’s
- Sine, Tri, Square, Ramp, Saw, Random, S&H
- 3 Envelope Generators
- 2 Attack, Decay, Sustain, Release
- 1 Delay, Attack, Decay, Sustain, Release
- External Audio In
- 16x16 Matrix modulation panel
- 64 step sequencer
- STEP enable, Slide, Accent, Modulation
- Save and recall sequence patterns on the fly
- Analog Effects
- Stereo delay, Delay, Flanger, Chorus, Analog Reverberator
- Arpeggiator
- 12 CV / Gate Inputs/Outputs
- Audio Input, Line or Instrument level
- Stereo audio output
- MIDI and USB I/O
- Pedal inputs for Expression and Sustain