Compact 32-Channel/22-bus digital console/recorder/interface with AVB networking and
dual-core FLEX DSP Engine
Power meets efficiency.
Loaded with the processing power, studio-grade audio quality, and flexible routing options that made StudioLive mixers famous, the StudioLive 32SX is the perfect compact 32-channel digital mixing solution. Powered by the dual-core PreSonus FLEX DSP Engine, the StudioLive 32SX digital mixer is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors—including 4 stereo reverberation systems, and Fat Channel plug-in models on every input and mix. The low profile of the StudioLive 32SX makes it an ideal solution for any mixing environment where desk real estate is at a premium. The split-fader workflow lets you manage 32 input channels in two fader layers, while still providing access to your mix outputs on eight additional faders. With 32 XMAX mic preamps and 16 balanced mix outputs, the StudioLive 32SX packs connectivity and power into an efficient use of space.
The scalable digital mixer.
The StudioLive 32SX digital mixer and the complete PreSonus StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes. Connect a StudioLive 32R to use as a remote stage box or monitor mixer. Multiple StudioLive Series III digital mixers can be networked, allowing you to route audio to and from any device on the audio network thanks, to the flexibility of Digital Patching onboard your StudioLive 32SX digital mixer and inUC Surface remote mixer software.
Superior sound.
We built our reputation designing great-sounding analog circuits for critical studio recording environments, and we put all of that experience into designing the StudioLive 32SX digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 32SX mic preamps to be remote-controlled with UC Surface software or Studio One®, and when you load a StudioLive 32SX mixer scene, the mic preamp trim values can also be recalled along with the other settings.
Record music with or without a computer.
PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 32SX digital mixer or on your Mac® or Windows® computer. Record all 32 channels plus a stereo mix of your choosing via USB, to an SD Card, or both for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up virtual soundchecks. Best of all, Capture sessions open natively in Studio One with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more. No other multitrack software makes recording as fast, simple and hassle-free so you can focus on mixing the show.
The best music recording software… included.
Studio One revolutionized music recording, making common mixing and production tasks as easy as drag-and-drop. Tight integration with StudioLive 32SX digital mixers allows you to control preamp levels and more right from the Studio One software console. Press the DAW button on your StudioLive 32SX, and your Studio One controls are right under your fingertips on your digital mixer. Studio One control can be toggled on and off, allowing you to quickly switch between your live mix and your production mix with the press of a button. Studio One Artist is included with the StudioLive 32SX, so you can start recording right out of the box.
PreSonus StudioLive 32SX 32 Channel Digital Console
Specs
Computer system requirements:
Below are the minimum computer-system requirements for UC Surface, QMix-UC, and Studio One®.
Mac
- macOS® 10.11 or higher (64-bit only)
- Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)
- 4 GB RAM (8 GB or more recommended)
Windows
- Windows® 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64
- Intel Core 2 Duo (Intel Core i3 or faster recommended)
- 4 GB RAM (8 GB or more recommended)
Mac and Windows Systems
- USB 2.0 port
- Internet connection
- Internal or external 7200 RPM storage drive highly recommended
- 30 GB hard disk space
- Monitor with 1366x768 resolution
iOS
- iOS 10 or later
- iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation)
Android
- Android™ 5.0 (Lollipop) or later
- Android smartphone (QMix-UC)
- Android tablet (8-inch) with 1024x768 resolution (UC Surface)
Note: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.
Technical Specifications
Mi crophone Preamplifier |
|
---|---|
Input Type |
XLR Female, balanced |
Frequency Response to Main Output (at unity gain) |
20-20 kHz, ±0.5 dBu |
Input Impedance |
1 kΩ |
THD to Main Output |
<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd |
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) |
94 dB |
Common Mode Rejection Ratio (1 kHz at unity gain) |
65 dB |
Gain Control Range (±1 dB) |
0 dB to +60 dB |
Maximum Input Level (unity gain) |
+12 dBu |
Phantom Power (±2 VDC) |
48 VDC, switchable per channel |
Line Inputs |
|
---|---|
Type |
¼” TRS Female, balanced |
Frequency Response to Main Output (at unity gain) |
20-20 kHz, ±0.5 dBu |
Input Impedance |
10 kΩ |
THD to Main Output |
<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd |
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) |
94 dB |
Maximum Input Level |
+18 dBu |
Tape Inputs |
|
---|---|
Type |
RCA Female, unbalanced (stereo pair) |
Maximum Input Level |
+12 dBu, ±0.5 dBu |
XLR Outputs |
|
---|---|
Type |
XLR Male, balanced |
Maximum Output Level |
+24 dBu, ±0.5 dBu |
Output Impedance |
100Ω |
Line Outputs |
|
---|---|
Type |
¼” TRS Female, balanced |
Maximum Output Level |
+18 dBu, ±0.5 dBu |
Output Impedance |
100Ω |
Tape Outputs |
|
---|---|
Type |
RCA Female, unbalanced (stereo pair) |
Maximum Output Level |
+18 dBu, ±0.5 dBu |
Output Impedance |
100Ω |
Headphone Output |
|
---|---|
Type |
¼” TRS Female, active stereo |
Maximum Output |
100 mW/ch. @ 60Ω load |
Frequency Response |
20 Hz – 20 kHz (± 0.5 dB) |
THD+N |
0.01%, 1 kHz, max gain, 20 Hz BW, unwtd |
S/N Ratio |
96 dB, 1 kHz, max gain, 20 Hz BW, unwtd |
System Crosstalk |
|
---|---|
Input to Output |
-90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) |
Adjacent Channels |
-87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) |
Digital Audio and Control |
|
---|---|
ADC Dynamic Range |
115 dB (A-wtd, 48 kHz) |
DAC Dynamic Range |
115 dB (A-wtd, 48 kHz) |
USB Recording Port |
USB 2.0, Type-B |
AES/EBU Output |
XLR Male |
Network Control Port |
RJ-45 |
AVB Audio Network Port |
Locking XLR Ethernet |
Internal Processing |
32-bit, floating point |
Sampling Rate |
48 kHz, 44.1 kHz |
A/D/A Bit Depth |
24 |
Reference Level for 0 dBFS |
+18 dBu |
Total System Latency |
1.9 ms (local routing, analog in-analog out, all processing active) |
Clock |
|
---|---|
Jitter |
<20 ps RMS (20 Hz - 20 kHz) |
Jitter Attenuation |
>60 dB (1 ns in, 1 ps out) |
Power / Environmental |
|
---|---|
Connector |
IEC |
Input-Voltage Range |
90 to 230 VAC (±10%) |
Power Requirements (continuous) |
85W |
Recommended Ambient Operating Temperature |
0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit |
Physical |
|
---|---|
Height |
6.51” (165.36 mm) |
Width |
25.98” (659.81 mm) |
Depth |
22.97” (583.84 mm) |
Weight |
30 lbs. (13.6 kg) |